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The True Antagonist college admission essay help houston tx Biology

Love is the conqueror of the strong and the weak, though it is foolish and evil at its core. Sophocles proves that love is the one destructive power in the universe through his third ode in “Antigone. ” Its powerful message foreshadows the death of Antigone and her lover, Haemon, through its crisp imagery and perfect diction. The chorus passionately sings the evils of love while closely examining the situation of the Lovers’ potential ends. Force emanates from each word that Sophocles conducts, forcing the viewer to be enthralled in their meanings.

The chorus ardently depicts the specifics and evils of love throughout “Antigone” through subtle repetition, personification of love itself, and the power behind each striking word. The repetition of a simple word can fill a sentence with underline meaning simply through this effortless act. Sophocles depicts his thoughts that love is exceedingly menacing with the repetition of war-like words. He makes it obvious that “love [is] never conquered in battle” and is like a “father and son at war… love, never conquered” (Sophocles, 878, 889-890).

It is evident that love will soon become a destroyer in the tragedy. War always ends in death and destruction, and so will the lives of Antigone and Haemon—so in love they are. Love “has ignited this [destruction],” Antigone and Haemon “burning with desire” (Sophocles, 888-891). Sophocles’ repetition of the fire imagery further illustrates the destruction love will cause; fire destroys, just as love will. Those who fall victim to love will eventually be burned by its enticing flame.

Antigone and Haemon meet their untimely end, just as the casualties of war and fire. Love is almost humanistic, the way it overpowers people and dictates their lives. Sophocles believes that love has these human characteristics, that “love [stands] the night-watch,” just as a man (Sophocles, 881). Love always watches over its recipients just as a guard may watch over his post, never tearing an eye away just for a second. The personification of love in this case makes it seem more alive and almost kind.

Love is the watchful eyes that never leave mere mortals alone. But, of course, love also “wrenches… minds… into outrage, [and] swerves them to ruin” (Sophocles, 887-888). Giving love the human characteristics of an evildoer not only highlights its malicious ways, but also foreshadows the death of Antigone and Haemon. The two fight for love, only to meet their end because of this malevolent foe. Love becomes a murderer in the minds of the viewers simply because of the human characteristics that Sophocles gives it, and it becomes the true antagonist of the play.

Every word has a meaning behind it, but few emit extensive power. Sophocles succeeds to use forceful words that portray each sentence through their sounds. The chorus sings, “whoever feels [love’s] grip is driven mad,” stressing the wickedness of the feeling through each word’s harsh sounds (Sophocles, 886). Obviously the point of this line is to depict the horrors of love, which is beautifully painted into the minds of the viewers. The force behind “grip” and “mad” breathe vivid life into this part of the ode.

And of course Sophocles comes back to the “kindred strife” between Haemon and his father, Creon (Sophocles, 889). It is not just a family disagreement, but something much stronger. The king and his son rage on about the murder of Antigone, a dispute worth nothing less than the powerful diction Sophocles bestows upon the ode. It is each striking word from the ode that drives Sophocles’ message– that a conquered love is never true. Those who suffer from love’s chokehold are destined to destruction.

The entirety of Ode Three depicts the fate of Antigone and Haemon, due to their endless love. The world suffers the same fate as the lovers of “Antigone,” simply because it is full of the same conflicts that these characters face. The world sees fated lovers, and the vile acts of love itself. Passion laughs at the world’s attempt to control it, slipping through the hands of many. It is the uncontrollable evil– love.

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