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Inactive viruses used in vaccines due to which of the following?

Inactive viruses used in vaccines due to which of the following?.

Inactivated viruses used in vaccinesQuestion 7 options:multiply in the body at a low rate.act like antibacterial drugs in the body.cannot replicate in the host.are weakened forms of viruses
Inactive viruses used in vaccines due to which of the following?

Word problems involving multplication or divison with mixed numbers.

A construction crew has just finished building a road. The crew worked for 14 days. If they built 214kilometers of road each day, what is the total length of road they built?Write your answer as a mixed number in simplest form.
Word problems involving multplication or divison with mixed numbers

Capella University Organized Navigational Structures Discussion.

Write 350 words with APA formatIn today’s websites, organized navigational structures are important for users to find specific content and products. Please review this link highlighting some innovative ways for web designers to organize a navigation scheme: (Links to an external site.)How do we create website navigation that allows users to easily navigate through the site? After reviewing the dtelepathy site’s great examples, please find and share at least one example of a site with bad navigation. Compare and contrast the bad example with one of the good examples.
Capella University Organized Navigational Structures Discussion

University of Tasmania Big City of Hobart & Healthcare Diseases Analytical Review.

Hide Assignment InformationTurnitin®This assignment will be submitted to Turnitin®.InstructionsAssessment task 2 – Capacity assessmentTask descriptionConduct a community-based public health intervention capacity assessment that includes consideration of the numerous determinants of capacity for public health intervention and capacity building strategy opportunities. This task will be guided by an assessment template and steps outlined in modules 2,4,6,7,8 inclusive.CriterionMeasures Intended Learning Outcome:Criterion 1Demonstrates ability to identify key stakeholders in the context of localised public health issues1,2,5Criterion 2Assesses determinants of capacity for public health intervention1,2,5Criterion 3Identifies capacity building opportunities relative to context1,2,5Task length1500 words
University of Tasmania Big City of Hobart & Healthcare Diseases Analytical Review

Portrayal of Terrorism in Film

Luke Costen Terrorism and the mutual influentially of the British film industry, the genre of satire Terrorism is an exceedingly ambivalent topic and one that becomes particularly ambiguous when attempting to define. When trying to comprehend the motivations of a specific terrorist organisation, one must start by considering the context of the acts of terrorism, by exploring ‘the historical, social, economic, ethnic and even psychological factors that have some influence on thought, behaviour and action.’ (Whittaker, 2012: 4) thus the notion of a universal and objective definition is virtually impossible. The dissimilarities between the United Kingdom’s and the USA’s definitions raise controversy over the evidently contextual and subjective nature of what terrorism is. ‘The use or threat, for the purpose of advancing a political, religious or ideological cause, of action which involves serious violence against any person or property’ (Whittaker, 2012: 3). This definition appropriately legitimises the existence of state terrorism, theoretically defining the USA as a state terrorist, due to the atrocities taking place in the Middle East over the past decade. Whilst the USA’s equivalent contrasts this idea, it states that terrorism must be surreptitious and committed by subnational groups. This essay will explore the notion of political communication, demonstrating the mutual influence between contemporary Terrorist organisations, particularly Jihadism and the satirical genre, within the British film industry. This essay will thus formulate the context of the following case study; an analysis of Four Lions (2010), a black comedy that provocatively satirises Islamic terrorism, humanising the British born anti-protagonist terrorists, exploring indoctrination, islamophobia, and police inadequacy when combating the issue of terrorism. The 7thJuly 2005 London bombings resonate throughout the text, creating a social commentary on the event and the obsession that the conservative western media have with Islamic fundamentalism, that further assist the feeling of estrangement of British born Muslims. The most important aspect in what politicises communication is not the origin of the message, instead it is the subject matter and the intentions of the message. (Denton and Woodward, 1990: 11) This defines political communication as accessible to anyone intending to make a statement about a political issue in society, emphasising that communicating politically is not exclusive to the government and the elites that control global and national politics. This therefore allows the public to convey political messages through any means possible, such as any form of media or even the body itself (the black or homosexual liberation). However this can be contested as acquiring a credible platform may require an already cemented position or political power, those who do, will find it considerably simpler to secure media coverage; hence it is far easier to express their message. (Wolfsfeld, 2011: 2) Film as well as other varying media can be seen as a process that allows an individual to reach a target audience as well as wider audience, in order to convey the intended political message, and can perhaps give some explanation to why bodies are used in extreme forms of political communication. Both acts of terrorism and the film industry can be equally seen as diverse forms of political communication, in an attempt to highlight prevalent issues in society. Respectively terrorism, specifically suicide terrorism is the most radical practice of political communication and one that is almost impossible to entirely understand. In the context of religious suicide, an unfamiliar concept in secular society is still far easier to understand then the secular suicide. The radicalised Muslim; mujahedeen will be profoundly rewarded for partaking in the holy war and, completing God’s will in destroying the infidel forces, his family will be cared for, and receive a payment for their loss a sort of life insurance. (Whittaker, 2011: 26) Although the practise of film-making in its original form is not inherently politically or artistically charged, its malleability and diversity as a creative media allow for artistic and political expression. It is the director or producers of a film text that can therefore express artistic and political visions creating an immersive form of political communication. Hunger (2008) follows Bobby Sands, an imprisoned IRA member who sees the sacrifice of his life as imperative for the gain of political objectives. Hunger seeks to alter views on IRA as in Britain intrinsically evil, viewing the group as freedom fighters searching for independence. Of course the act of terrorism in itself is evil, but issues of context tell a Janus-faced story, ultimately humanising the individuals of a considerably inferior political group.Hunger(2008) demonstrates the political methods Margret Thatcher used against the IRA prisoners, she refused to politicise the IRA members. This would, firstly define them as political prisoners, but more importantly humanise the individual people behind the acts of terrorism, thus accepting that their political ideologies were legitimate and subjective value systems, with historical, social and cultural contexts. Ignoring this would further alienate the IRA from the British public, rejecting any potential sense of compassion or empathy, forcing a prolonged, futile and failed attempt to reclaim their independence from the imperialist head of state. The terrorist group sacrifices their life for the progression and development of their cause; they are generally oppressed over an elongated period of time and see the act as the appropriate and imperious motives so that collective institutions are able to prosper. (Whittaker, 2011:25-26) Consequently comparisons can be drawn in the attempts to combat Jihadism and a similar rhetoricis used by the mass-media in order to strip political legitimacy. However Thatcher’s rhetoric of rejecting the political was already in place, as Jihadism, is the collective union ofIslamicbrothers and the ‘holy war against the infidel.’ (Whittaker, 2011: 47) So the context of religion is what takes centre stage, thus comparisons to similar consequences can be drawn. However religion can be politicised particularly in the form of terrorism, as political objectives exist simultaneously with religious ones. Martyrdom is highly regarded for the fundamentalist, and believes they will be rewarded for completing God’s will, whilst the terrorist organisation benefits from political gain. (Noonan, 200: 97) The British mass media seldom politicise Jihadism terrorism, in order tomaintain the public’s lack of comprehension, and detachment of the individual, preventing the public from seeing a rational person with emotions and a conscience. A stereotypical Arabian image of Islam has now become synonymous with the inimical image of world terrorism, due to the Middle Eastern origins of Jihadism. The mass-media has thus created an archetypal enemy with distinguishable ideologies, belief systems, creating the illusion that they oppose our own, and finally an image that can be applied to Asian Muslims. This has produced cultural alienation, a prominent issue in multi-cultural societies, where British born Muslims become estranged from their nationality and society, thus become easily radicalised. Attacks are unforeseeable and committed discreetly by inconspicuous people. (Whittaker, 2011: 71) Essentially the film industries main purpose within a capitalist system is to make a profit, although the British film may have more artistic and political integritythanAmerican cinema, its inherent principles are fundamentally neoliberal. These values rivalIslamicfundamentalists of Islam, and represent USA’s and the UK’s dominating force of culture imperialism within the Middle East. In the wake of the Iraq war, markets previously out of reach of American influences, were placed directly under the control of a small group of American business’ by means of government contracts. (Harvey, 2005: 7) British film can be interpreted as mutually influencing with terrorism, propagating the view that the Western economic and political ideology is culturally superior to that of the East, and the contemptible notion that it is the duty of the western world is to civilize Islam, exploiting the economic gain of neoliberalising newly occupied nations and the continuous turning of the lucrative war machine. Thus western values inhabit underlining themes in film, such as the capitalist dream, the monetisation of practically everything, commonly denouncing religion, and neglecting equal ethnic diversity. The Terrorist Act [2000] considerably increased policing power, and ‘has no such provision,’ (unlike previous counter-terrorist measures) ‘and this is its chief danger’ (McGovern, 2010: 138). Counter-terrorism is a self-explanatory process; acts are put in place increasing the policing powers in order to prevent terrorism in the process. Conversely counter-terrorism acts can be abused placing too much power in the police force, this allows for the potential on infringement on civil liberties, thus placing too much power in the inevitable inherent prejudices that some police officers may have. It is therefore possible that this could cause a detrimental effect on society forcing an insurgence of‘ home-grown’ terrorists to emerge. It is conceivable to assume that the Muslim community can become disillusioned in British society due to ‘neo-conservative counter-terrorism’ in place. (Whittaker, 2011: 77)The way that film and terrorism influence one another is not solely negative. Simply the inclusion of thesubject matter of terrorism in British film is a significant discourse continually evolving the views on the existing ideologies around why people commit terrorism. A film with a strong political subject matter can influence the public’s perceptions, educating the inevitable confused and fearful opinion formulated by the mass-media’s outlook. Theoretically this can be viewed as a counter-terrorist measure, in an attempt to reveal contexts of a side of the narrative rarely explored, assisting in eliminating ethnic and religious divides and the sense of estrangement found in British-born Muslims. British Film often represents terrorism contrarily to that of the mass-media, creating thought-provoking representations of theindividuals behind the terrorist acts. Through the exploration ofcultural, political and social factors, British film generallyhumanisesthe terrorist but never legitimises or validates the actual acts. Conversely it understands that for oppressed groups there is usually no alternative course of action, showing that there is always more than one side to a narrative, usually told with a level of bias, in context to one’s own political agenda. ‘the term ‘terrorist’ is value-laden, and may be rejected by groups whose members may prefer to see themselves as ‘freedom fighters’ in ‘national liberation’ or ‘resistance’ movements, (McNair, 2011: 9)The Wind that Shakes the Barley(2006) authenticates the IRA struggle against the imperial empire and following young members of the IRA and the struggles against British imperialism. Satire is the generic form of artistic and political expression typically used as a form of political communication, expressing itself through the use of humour and wit and critiquing existing social or political issues within the public sphere. The job of the satirist is to scrutinise the ubiquitous corrupt or immoral political issues in society. Satire was patented in the form of literary work but is now seen as ‘the process of attacking by ridicule in any medium’ (Hodgart, 1969: 7). British film often represents the terrorist as the freedom fighter, politically satirising the perception of the differences between the two.Brazil(1985)satirises the bureaucratic political system and the omnipotent authoritarian government. Harry Tuttle is an alleged terrorist; he illegally repairs citizens, thus breaking the rules of the bureaucratic state. In reality Harry Tuttle is a freedom fighter, liberating individuals from the endless administrative process that is required by the government. The terrorist attack on the Danish cartoons and more recently the murders of the CharlieHebdomagazine exposed the limitations of the freedom of expression, and the fine line between political satire and the incitement of hate. ‘It is an expression of free speech, […] Among the several tests by which we measure the extent of individual freedom, the right to ridicule must be included.’ (Freedman, 2009: 164) Forcefully instigating a reaction through the crass depiction of sacred figure will inevitably provoke a response fromIslamicfundamentals. Political satire of the ‘other’ is created in relation to the increasing social tensions regarding numbers of immigration, particularly in France were the rise of the far right-wing party in France; Le Front National, and a history of banning religious signifiers such as the Burka, create an unstable and fluctuating marginalisation of an already isolated Muslim community. When combined with the increasing and hostile islamophobic rhetoric frequently used in the mass-media, forces the estranged and isolated members of the society to seek collective acceptance and meaning in extreme fundamentalism taking out the anger on the society that rejected them. Political communication is how each politicised text interacts with each other, and practically anything can be politicised. In political communication, it is not the origin of the message that deciphers whether or not something can communicate politically but instead it is the focus and the objective of that message. Through the examples of British film as mutually influential with the actions of terrorist organisations is the idea of humanising the individual member’s image of the terrorist. Underneath the terrorists political agenda is a person with thoughts and emotions, and reading deeper into the social, historical and cultural contexts help give the public or audiences they are attempting to shock a better understanding of the motives and intentions of committing such heinous crimes. Bibliography Denton, R. E., Woodward, G. C. (1990). Political Communication in American. New York, Praeger. Freedman, L. (2009). The Offensive Art. London: Praeger. Harvey, D. (2005).A Brief History of Neoliberalism. Oxford: OUP. Hodgart, J. (1969).Satire. Hampshire: BAS Printers Limited. McGovern, M. (2010). Ignatieff, Ireland and the ‘less evil’: some problems with the lesson. In: Discourses and Practices of Terrorism – Interrogating terror. London and New York: Routledge. McNair, B. (2011). An Introduction to Political Communication. 5th ed. London and New York: Routledge. Noonan, J. (2010) Fundamentalist foundations of terrorist practice – The political logic of self-sacrifice. In: Discourses and Practices of Terrorism – Interrogating terror. London and New York: Routledge. Pollard, A. (1970). Satire: The Critical Idiom. Methuen

Home work international finance

cheap assignment writing service Home work international finance.

homeworks that i need help with is in the attachment. 1 of the question is -Assume that you can produce 100 tubes of toothpaste in the U.S. You want to sell 50
tubes of toothpaste in China and 50 tubes of toothpaste in South Korea. The price of a
tube of toothpaste in China is 10 yuan and the price of a tube of toothpaste in South
Korea is 7 won. The currency exchange rates are 5 yuan = 1 dollar and 2.5 won = 1
dollar. If the export tax in U.S is 0.5 dollar per tube and sales taxes are 3 yuan per tube
in China and 2 won per tube in South Korea respectively, how much would you expect
to earn by selling 100 tubes of toothpaste?
a. 200 dollar
b. 170 dollar
c. 150 dollar
d. 120 dollar
Home work international finance

8 short responses questions

8 short responses questions. I’m working on a Social Science question and need guidance to help me study.

1. Name three historical lenses that you could apply to gain a fuller picture of the relationship between Natives and white settlers. Be sure to respond to this question in two to three sentences, using proper grammar.
2. Revise the thesis statement at the top of this page to reflect a more complex view of the relationship between Natives and white settlers. Your revised thesis statement should be longer than one sentence.
3. Name three historical lenses that you could use to look at the events described in the video you just saw.
4. Massasoit’s decision to approach the Pilgrims about an alliance was contingent on what previous event or events? (Name one or two.)
5. Name one short-term consequence and one long-term consequence of the alliance between the Wampanoag and the Pilgrims.
6. How has your understanding of the historical event in your essay changed as a result of your research? Describe one instance of a misconception or a wrong idea you had about your topic that has been corrected after researching and writing about it.
7. Name four historical lenses through which you could analyze the events of the Cherokee Removal. Specify one aspect of this event for each lens that you cite.
Agree or disagree with the following thesis statement: “The Treaty of New Echota was invalid, and the National Party was correct to oppose it.” Cite at least three historical facts that support your position.
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8 short responses questions

Reply to discussion_3 references needed_kat

Reply to discussion_3 references needed_kat. Need help with my Nursing question – I’m studying for my class.

The Circle of Caring Model is a unique approach to patient care and incorporates both traditional medical and nursing approaches while at the same time using an openness to other approaches (Dunphy, Winland-Brown, Porter & Thomas, 2015). It was created based on the day-to-day practice of advanced nursing in primary care. It really is an expansion of the already created medical and nursing models. This model includes both a holistic and creative approach to patients and making sure the patient has an individualized therapeutic plan and uses a version of a holistic nursing assessment to gain information from the patient such as their life situation, strengths, and weaknesses (Dunphy et al, 2015). It combines standard medical diagnostic language for treatment but also uses labeling of the patients concerns. This model produces a view of the problem-solving that is used in primary care but can also be applied to acute care or in other community settings. The Circle of Care Model includes patience, advocacy, courage, commitment, authentic presence and knowing which are all components of the caring process (Dunphy et al, 2015). Since this model uses the patient’s point of view on their own health and components from their life to see how the factors are affecting the patient’s health, it gives a very unique method to assessing and treating patients.
Holistic nursing uses the approach of treating and healing the whole person. Instead of viewing the patient as their illness, it uses the theory that is it important to address all components of the patient such as their body, spirit, emotions, mind, and environment (Nursing Theory, 2016). Holistic nursing theories try to use all of these components because they are what make up the patient, so if the patient is going to be treated the nurse needs to understand each of them and how they can affect the patient’s overall health. This leads to the nurse having an understanding of interconnectedness and how everything in the patient’s life is connected. This understanding helps the nurse be better aware of their patient, their patients’ needs and the care that will need to be provided. Holistic nursing is incorporated into the Circle of Caring model and was used as the building foundation.
The biomedical nursing model has been used for centuries in clinical practice and helps systematically address health concerns in patients who are sick. This model helps guide physicians in their assessment, diagnosis, treatment and use critical thinking to ensure that patients have the best outcomes (Mazzotta, 2016). It is used to educate nurses on medical directives, assessments, advanced nursing skills, polices, algorithms and procedures. There is also a curative focus in this model and emphasis is placed on evidence-based practice with measurable outcomes (Mazzotta, 2016). Biomedical and technology play a significant role in influencing nursing practice and provide nurses with the opportunities to acquire knowledge and empirical evidence. Biomedical nursing model does not capture all of what it means to be ill and using technology through this model does not come close to the empathy shown through the human touch. Patient’s emotional, cultural, psychological and spiritual needs also need to be met but are not a part of a biomedical nursing model. Using the biomedical nursing model is important to help guide the nurse in practice. But this model should not be used alone because it focuses on treating the patient’s illness only and not the whole patient. This is why it was used as part of the building foundation for the Circle of Caring model. Combining both biomedical nursing with holistic nursing theories is essential in treating the whole patient and providing the best patient care.
Dunphy, L. M. H., Winland-Brown, J. E., Porter, B. O., & Thomas, D. J. (2015). Primary Care: The Art and Science of Advanced Practice Nursing (4th ed.). Philadelphia, PA: F.A. Davis Company.
Mazzotta, C. P. (2016). Biomedical approaches to care and their influence on point of care nurses: a scoping review. Journal of Nursing Education and Practice, 6(8), 93-101.
Nursing Theory. (2016). Holistic nursing. Retrieved from…
Reply to discussion_3 references needed_kat