Journal Article 1 is the first critique, and it should pertain to the Social, Physiological, and/or Psychological Factors of Drugs. The articles are provided. The report must be based on an article published in a scientific journal (PROVIDED) (i.e., Social Forces, Journal of Social Psychology, etc.) available in the library and published within the last three years. The article must be a minimum of three pages long. Your report must be APA 7th Edition typed, double-spaced, and two-pages long. It must include (1) The full reference of the article reviewed; (2) Purpose of the study; (3) Methods used; (4) Results of the study; and (5) The author’s interpretation of the results.
CRM 328 Saint Leo University The Social Cost of Drugs in France in 2010 Paper
N 490 AU Wk 3 Telehealth & Beyond Professional Nursing Issues & Trends Presentation
N 490 AU Wk 3 Telehealth & Beyond Professional Nursing Issues & Trends Presentation.
I’m working on a Nursing presentation and need support to help me learn.
Assignment:Telehealth and BeyondCreate a PowerPoint presentation that addresses each of the following points/questions. Be sure to completely answer all the questions for each bullet point. Use clear headings that allow your professor to know which bullet you are addressing on the slides in your presentation. Support your content with at least three (3) sources using APA citations throughout your presentation. Make sure to cite the sources using the APA writing style for the presentation. Include a slide for your references at the end. Follow best practices for PowerPoint presentations related to text size, color, images, effects, wordiness, and multimedia enhancements. Review the rubric criteria for this assignment.
Describe the need for Telehealth services. Explain the difference between Synchronous Telehealth and Asynchronous Telehealth. Finally, offer your personal opinions related to this new mechanism for health care (first person narration can be used for this final part).
Find an article that discusses another new or upcoming technology change. Discuss the main points of the article related to the technology (remember to cite the article). Then explain how nursing will be directly impacted by this new technology listing one positive and one possible downside.
Title Slide (1 slide)
Objective Slide (1 slide)
Need for Telehealth services. (2-3 slides)
Difference between Synchronous Telehealth and Asynchronous Telehealth. (1-2 slides)
Personal opinions of Telehealth. (1-2 slides)
Article on new or upcoming technology change, with main points regarding technology. (remember to cite the article) (2-4 slides)
How nursing is impacted by the new technology discussed in the article you found. (2-3 slides)
References (1 slide)
Assignment Expectations:Length: 11-17 slidesStructure: Include a title slide, objective slide, content slides, reference slide in APA format. References: Use appropriate APA style in-text citations and references for all resources utilized to answer the questions. A minimum of three (3) scholarly sources are required for this assignment.Rubric: This assignment uses a rubric for scoring. Please review it as part of your assignment preparation and again prior to submission to ensure you have addressed its criteria at the highest level.
N 490 AU Wk 3 Telehealth & Beyond Professional Nursing Issues & Trends Presentation
Writer’s Choice Essay
help me with my homework Writer’s Choice Essay. As you learned this week, human beings do not have the most sensitive or acute sensory systems in the animal world. Some bats can hear frequencies that exceed 100,000 Hertz, dolphins receive auditory messages from great distances, and cats can probably localize sounds better than we do because they can rotate their ears. Rats see better at night than we can, eagles have more acute distance vision, and horses have a wider visual field. Rabbits have more taste buds than we do, and many animals have a keener sense of smell. This exercise asks you to consider how you would perceive the world if your senses were more acute or sensitive than they actually are. Please answer the following questions and post it to the discussion board. List a few things you would see, that you cannot see now, if your sense of vision were “better.” List a few things you would hear, that you cannot hear now, if you could hear “better.” If your chemical senses—taste and smell—were more sensitive, how might you be affected?Why are our senses no more and no less acute or sensitive than they are? If human beings continue to be urban creatures for the next few million years, in what ways might our sensory systems evolve or change? Lastly, you must read other students’ posts and respond to at least one other student. Prof. KarinaWriter’s Choice Essay
The Social, Economic, Intrinsic Values of the Arts and the Legitimacy of Supporting Arts in the UK Dissertation
The Social, Economic, Intrinsic Values of the Arts and the Legitimacy of Supporting Arts in the UK Dissertation. Introduction In any country, state capital and cultural capital always walk hand in hand hence can not be separable. In many countries including the United States of America, most of the arts are administered by the private support; however many European countries like the United Kingdom are paying greater public support for the artists. The value of the art that is produced by the artists is directly related to the strategy of the artist and the policy operation processes. There is no doubt that currently, the issue of the funding of the arts and culture in the United Kingdom is facing very many challenges. As much as there is a lot of public debate around this topic, the government is greatly insisting on the adoption of the evidence-based policy in the funding of these groups. There is need to come up with more clear decision making policies and measures to ensure that the allocated funds are put to the correct and appropriate use. The government is calling for the involvement of all public sectors so as to meet the overall objectives that are stipulated in the arts and culture funding policy. The sector of culture and arts has had a lot of developments hence has to demonstrate its stake in the development of the states. In fact the art sector has been expected to play a key and major role in the economic development, overall marketing of the United Kingdom and play a major role in the social relations of the people of the United Kingdom. The government has got a lot of criticism when it targeted to reduce it spending and hence reduce the funding of the arts council; through this the public feels that the government is not showing the willingness to support the field of art. This current development which target to reduce the funding of the cultural and art sectors has led to an increase in the criticism of the whole concept. On the other hand, it has been viewed that the achievements so far acquired are being used by the government to achieve their targets. This is however not beneficial to the artists themselves. In fact, the government does not in way give special acknowledgement to the arts but simply categorize them as any other sector. This has been a great challenge as they face unique challenges that need to be addressed keenly. The government need to keenly focus on art because it is the best and most effective way that can link the government and other leaderships with the public. It is through arts that people from different backgrounds can meet, participate and even watch together the various pieces of art. This will further foster national understanding, peace and good inter-relationship among the public. This dissertation is therefore going to investigate the overall circumstances of art support policies in the U.K., examines the values the art has brought and what public support is needed constantly, according to particular economic situation and public interests of the people of the United Kingdom. Public Support for the Arts and the supports Social Values Since the creation period, art has always been part and parcel of mankind. It was until the middle age when art activities actually transformed to artwork since initially the artists were not aiming for the art itself but rather used art to spread propaganda over the authorities. Also, in the medieval times, the status of artists had not been more than craftsmen, not until they became born again as ‘artists’ through the age of Renaissance. It was since the eighteenth century when the concept of art started to be defined and classified as in the modern sense, until then art had been understood mainly as having a meaning of techniques and skills. By the understanding of intrinsic meaning of art, artist’s personal talent and capacity has attracted attention and been accepted by supporters and art lovers. Therefore, it was possible that patrons valued the artists’ abilities and supported their place or activities. The word, ‘patron’ means ‘a person who support’ which came from Latin word, ‘father’. Oxford English Dictionary defines patron as ‘an individual or organization that support and protect various organizations and activities materially and mentally. Today, like the meaning of patron, there are a lot of subjects of supporting arts which include private individuals, organization or enterprise, and even the country. From Renaissance period when artists in the same sense as appeared to the present, many of artists have worked depending on the order from the supporters. It was during the 20th century when the whole field of art changed because the number of artists greatly increased. This led to the private support groups limiting their support prompting the United Kingdom government to decide to come up with supporting body to help the many artists. Especially after WWII, various positive values and social meaning of arts started to be reinterpreted. In many European countries began to recognize the necessity of state intervention in arts, which was state-level of public support and to draw an agreement on the intervention.1 History of public support for the arts in the UK England, Wales, Scotland and Northern Ireland are the four countries that make up the vast and successful United Kingdom. Each of these countries has been having its own distinct culture and history. The funding of culture and art in the United Kingdom can be dated to as far as the 1940s. Since United Kingdom wanted to create a free and democratic society, the political climate during that period initiated the funding debate that the government was to take a role in. It was during this period that an organization was founded to champion the interests of the art, the organization was names, the Council for the Encouragement of Music and the Arts (CEMA). John Maynard Keynes is the one who founded this union in the early 1940s. He was an intelligent guy who had highly qualified in the field of economics.2 He had a vision which evolved CEMA into the art council of Great Britain in the year 1946. This was the first body to distribute funding to the arts fraternity independent of the political influence. The chairman believed that the art council would temporarily exist during the recovery of the Second World War4. The councils funding from the government grew from GBP 235000 in the year 1945/46 to more than GBP 820000 in the years 1955/56. The standing commission on museums and galleries that was founded in the year 1931 advised the national government on museums policy to give financial aid to the national Museums. This body, later become the museum and galleries commission in the year 1963 and later acquired it own charter in the year 1987. After this, the local authorities invested immensely in the museums by building and renovating the regional museums, theatres and public halls. In addition they engaged in running of their own programs and functions that enlightened the people of its commitment in investing in the arts and culture. However, this funding remained permissive other than mandatory as it depended on the willingness of the regional governments to determine the amount of funding they are to provide. It is this policy that led to the founding of the Business Sponsorship Incentive Scheme in the year 1984. There was a greater achievement when a partnership was created between arts council of Great Britain, British film institute, craft council, and the Scottish and Wale arts councils. All those bodies merged together to create the national arts and media strategy. All these transformations happened in the year of 1990. A decision was arrived at in the year of 1994 that led to the devolving of the arts council’s duties to other devolved regional councils. This ensured that each nation runs its own independent arts funding in its region. There was a great boost of the national arts council funding when a national kitty was created that ensured that it funded most of the artists and the other regional art and film councils. There as a change in the year 1997 after the election where the incoming labour government rebranded the department of national heritage. It is through these efforts that the government has had to champion its efforts and goals which identified that arts and culture are very instrumental to the development of any given region. The government has also set up legislation that ensures that the local authorities participate and promote arts and culture in their specific regions. There was a major transformation in April 2002 when the arts development agency for England, known as Arts Council England was formed. All this was as a result of the merging of the national council and all the other regional councils in the United Kingdom.3 The social values of arts Through research, it has been proved that art is very important and instrumental tool of the civic or public renewal. It is through arts that the social well being of people and regions in the United Kingdom is being improved. In addition, through the arts the friendship among people is being strengthened and is assisting the various communities in the United Kingdom accept, appreciate and celebrate their heritage. It is through such ways that there is the fostering of peace and understanding between people of various cultures. These findings have been underscored by trying to learn some of the impacts that can be created by the art sector. Some of the impacts experience included people opening themselves up when they are socialising with their friends, the people are also able to revisit and freely share of their past stories and history. It is through these forms of socialization that led to create the sense of belonging among various communities living in the United Kingdom. In addition, the field of culture and arts gives the people the opportunity to live the life that they want and to freely express their feelings. This is very important because people will express themselves fully other than behaving what they are not. In overall this will bring understanding between the different social groups. It is through art that leads to cultural participation and civic engagement. It is through study that it is exposed that people who are constantly engaged in art are able to make wise decisions and carry out judgements during the political times. Just for the people attending and watching the pieces of arts together as a group is very important though it might be less effective as compared to them coming together to participate and do all those pieces of arts together. It is through this interaction that the virtues of coordination and trust are developed hence in the long run creating very strong social bonds that can not be easily broken. Firstly, it is no longer enough to express commitments that more people ‘experience’ the arts. Any region or sector that is faced with poverty, lack of education and frequent wars need to be engaged in arts. It through arts that people learn from people of other places how to relate with others. Through arts, peace and understanding are emphasized to the audience and even the performers. Apart from the entertainment, people also learn economic activities and behaviour that will help improve their economic standard and even education. It is through these social values that the United Kingdom and other regions in the world should fully support the promotion of arts and culture. This is because a region that does not put recreation, arts and culture in mind is likely to face any significant developments. Though various groups and people are coming up with theories and propaganda to try and kill these lucrative sectors, we should all oppose their intentions and invest in arts. This is through financial investments and even giving ourselves fully to ensure that there is progress in the art sector. Economic and Intrinsic Values of the Arts Since art can not maintain itself with its earnings only, individuals, organisations, and governments have supported it as described earlier. Baumol and Bowel in their ‘Performing Arts: The Economic Dilemma’4 argued that from fine arts, performing arts are labour-intensive and is in the field which not much as labour force reduction effect by the development of technology as in manufacturing industry. Therefore, arts cannot sustain itself with its own income. Their studies were being placed on excellent paper so that they achieved a modern conversion of art economics. As they interpreted chronic deficit phenomenon of performing arts with the term, ‘Income Gap’, they diagnosed the overall administrative situation of performing arts in the 1960s as ‘cost disease.’ In other words, other fields can increase productivity by cutting labour forces and replacement by developed machines. However, reducing the numbers of players or actors in arts is directly related to the quality of the performance. Therefore, it is impossible to change balance gap which is constantly occurred in this field. Nevertheless, since art has a character of a mixed good that contributes not only to private interests but also to public interests, Baumol and Bowel argue that public support for art is legitimate. Furthermore, they insist on the legitimacy of support by showing that art is related to honour, pride of a state and essential for the prosperity of the community, and should be maintained and developed for the future generations like a contribution of education. Netzer supported their discussion of art as a mixed good by exemplifying ‘Positive Externality’.5 In other words, like opera, dance and performance arts share musical forms that they are interdependent on each other. Therefore, mixed goods move or there are shared chances of mutual employment. Thus, a customer of art that belongs to one art genre is very likely to get some interest in another genre by other devices. However, even though his theory is right, we now experience that external effect does hardly contribute to increasing art organizations or artists’ economic interests. While applied arts such as design and films of culture industry unlike fine arts can produce enormous profits by Window effect; fine arts desperately needs at the level of national support.6 Since applied art is considered almost an industry and dealt in the category, ‘cultural industry,’ the legitimacy of public support is treated in the same way as in other fields of industry. However, fine art can hardly survive without support, and in the U.K., focus is put more on public support than private one. The art dealt in this paper is only fine arts except applied art which can be commercially survivable. As briefly examined in the previous part, art in the U.K. has a tradition which had depended market economy rather than public support. The terms, ‘night watcher country’ and ‘invisible hand’ represents these ‘Laissez-Faire’ and ‘arm’s length principle’ traditions. However, after WWII, the government gradually started to intervene in arts. At the beginning, its main activity was sponsorship but after the establishment of The Arts Council in 1946 support became the main activities. In the 1980s, under the Conservative regime, the Prime Minister Thatcher brought restrictions in the government financial expenses. She stressed on diversification of support for arts rather than depending on a single public support, the government.7 Especially, she emphasised supporting arts as combination of public and private supports with the most powerful private support, enterprise. For this, the government established and executed a system of Business Sponsorship Incentive Scheme (BSIS) through Arts and Business (AThe Social, Economic, Intrinsic Values of the Arts and the Legitimacy of Supporting Arts in the UK Dissertation
Penn Foster College Speedy Delivery Company Paper
Penn Foster College Speedy Delivery Company Paper.
Dewayne, a driver for Speedy Delivery Company, leaves the truck’s motor running in neutral and carelessly forgets to set the parking brake while making a delivery. The truck rolls and crashes into a nearby gas station pump, igniting a fire that spreads quickly to a construction site a block away. A burned wall collapses onto a crane, which falls on Fazio, a bystander, and injures him.What must Fazio show to recover damages from Speedy Delivery? If you are the attorney for Speedy Delivery what would be your best defense argument?Your paper should be between 500-750 words, with at least two cited external resources.
Penn Foster College Speedy Delivery Company Paper