Cinema of the Philippines popular mba argumentative essay help Agricultural Studies essay help

Nationalistic films were also quite popular, although they were labeled as being too subversive. The 1940s and the war brought to the Philippine cinema the consciousness of reality. Movie themes consisting primarily of war and heroism had proven to be a huge hit among local audience. The 1950s saw the first golden age of Philippine with the emergence of more artistic and mature films, and significant improvement in cinematic techniques among filmmakers. The studio system produced frenetic activity in the local film industry as many films were made annually and several local talents started to earn recognition abroad.

Award-giving bodies were first instituted during this period. When the decade was drawing to a close, the studio system monopoly came under siege as a result of labor- anagement conflicts, and by the 1960s, the artistry established in the previous years was already on a decline. This era can be characterized by rampant commercialism, fan movies, soft porn films, action flicks, and western spin-offs. The 1970s and 1980s were considered as turbulent years of the industry, bringing both positive and negative changes. The films in this period now dealt with more serious topics following the Martial Law era.

In addition, action and sex films developed alternative or independent cinema in the Philippines. The 1990s saw the emerging opularity of massacre movies, teen-oriented romatic comedies, as well as anatomy- baring adult films, although slapsticks still draw a large audience. Genres of previous decades had been recycled with almost the same stories, and love teams, which had been popular in the past, had become reincarnated. [3] The Philippines, being one of Asia’s earliest film industry, remains undisputed in terms of the highest level of theater admission in Southeast Asia.

Over the years, however, the film industry has registered a steady decline in the movie viewership from 131 million in 1996 to 63 illion in From a high of 200 films a year during the 1980s, the country’s film industry was down to making a total of new 56 films in 2006 and around 30 in Although the industry has undergone turbulent times, the 21st century saw the rebirth of independent filmmaking through the use of digital technology, and a number of films have once again earned international recognition and prestige. edit]History [edit]Origins Life in the Philippines Culture Cuisine Dance Demographics Economy Education Higher education Film Holidays Languages Literature Martial arts Music Politics Religion Sports Tourism Transport On January 1, 1897, the first four movies namely, Un Homme Au Chapeau (Man with a Hat), Une scene de danse Japonaise (Scene from a Japanese Dance), Les Boxers (The Boxers), and La Place de L’ Opera (The Place L’ Opera), were shown via 60 mm Gaumont Chrono-photograph projector at the Salon de Pertierra at No. 12 Escolta in Manila.

The venue was formerly known as the Phonograph Parlor on the ground floor of the Casino Espanol at Calle Perez, off the Escolta. Other countries, such as France, England, and Germany had their claims to the introduction of publicly projected most historians and critics. 6] Antonio Ramos, a Spanish soldier from Aragon, was able to import a Lumiere Cinematograph from Paris, including 30 film titles, out of his savings and the financial banking of two Swiss entrepreneurs, Liebman and Peritz. By August 1897, Liebman and Peritz presented the first movies on the Lumiere Cinematograph in Manila.

The cinema was set up at Escolta, corner San Jacinto, the hall formerly occupied by the Ullman Jewelry shop. A test preview was presented to a limited number of guests on August 28. The inaugural show was presented to the general public the next day, August 29, 1897. [6]. Documentary films showing recent events as well as natural calamities in Europe were shown in Manila. [3] During the first three weeks, Ramos had a selection of ten different films to show, but by the fourth week, he was forced to shuffle the 30 films in various combinations to produce new programs. These were four viewing sessions, every hour on the hour, from 6:00 P.

M. to 10:00 P. M. After three months, attendance began to slacken for failure to show any new feature. They transferred the viewing hall to a warehouse in Plaza Goiti and reduced the admission fees. By the end of November, the movie hall closed down. 6] In order to attract patronage, using the Lumiere as a camera, Ramos locally filmed Panorama de Manila (Manila landscape), Fiesta de Quiapo (Quiapo Fiesta), Puente de Espana (Bridge of Spain), and Escenas CalleJeras (Street scenes), in 1898. Aside from Ramos, there were other foreigners who left documentary evidences of their visits to the Philippines.