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Beatrice Wood easy essay help Java

Wood (1893-1998) is known both for her shimmering pots and her long, extraordinary life. Although intrigued by the arts from an early age, Wood was 40 years old by the time she began experimenting with ceramics and found her true vocation. Before discovering her love for clay, Wood had forays into painting, drawing, writing, and theatre. Involved in everything from Vaudeville to Dada, she spent her youth searching for the right outlet for her artistic and creative energies. Beatrice met Marcel Duchamp and his friend, writer and diplomat Henri Roche, and he three formed a close friendship.

Together they founded the magazine Blind Man, one of the first manifestations of the Dada art movement in New York. They also frequented Avant garde gatherings, spending many lively evenings at the home of collectors Walter and Louise Arsenberg, whose walls were hung with works by Picasso, Matisse and Braque. Intrigued by the West Coast, she moved permanently to Los Angeles in 1928, and from there her life began to change. In 1930 she traveled to Europe with a friend and bought a set of Persian luster plates. Unable to find a teapot that matched, she igned up for a ceramics class at Hollywood High, hoping to make one herself.

The teapot was long in coming, but Wood discovered her affinity for clay immediately. She soon set up a studio and began selling her work. By the early 1970’s, Wood had established a reputation as a fine artist. She turned her focus to more complex, decorative vessels, and her work was increasingly sought after by galleries and museums. By the time of her death at the age of 105, Wood had become a well-recognized fgure in the world of ceramic art, renowned as much for her luster glaze as for her longevity, vitality, and charm. EARLY WORK

Chinese cinema

Chinese cinema.

 Instruction: 1. What does “independent film” mean in China? What does Chris Berry say about the emergence of “on the spot” style in Chinese film? What new kinds of films have appeared as a result of diversification brought about by the DV camera, and what issues of ethics have arisen? (Based on “Chris Berry on the New Chinese Documentary Movement.” (Links to an external site.)) 2. What did Lixan Fan struggle with in filming Last Train Home? What did he hope to achieve and how did the family depicted in the film respond? (Based on Svetvilas, “Made in China: ‘Last Train Home’ Documents the Life of the Migrant Worker.” (Links to an external site.)) Please write 1-2 pages in response to the above questions. Optional bonus 1: Please read the following article and write a 1-2 page summary of the article and your response to it: (Links to an external site.) Optional bonus 2: Please read Gaetano’s, “Migration and Modernization in China” (available on Canvas under Last Train Home) and write a 1-2 page summary of the article and your response to it. Reading links: “Chris Berry on the New Chinese Documentary Movement.” Svetvilas, “Made in China: ‘Last Train Home’ Documents the Life of the Migrant Worker.” Film available on with fandor:

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