The above paragraph is a narrative paragraph. Vardaman’s association of his mother’s death with the fish’s death at first seems to be a childish, illogical connection. This association, along with Darl’s linking of the question of existence to a matter of “was” versus “is,” allows these two uneducated characters to tackle the highly complex matters of death and existence. The bizarre nature of this exchange illustrates the Bundrens’ inability to deal with Addie’s death in a more rational way.
For Darl, language has a peculiar control over Addie’s existence: he believes that she cannot be an “is,” or a thing that continues to exist, because she is a “was,” or a thing that no longer exists. For Vardaman, objects that are similar to each other become interchangeable: he assigns the role of his mother to the fish, for example, because the fish is dead, like Addie. These somewhat logical responses to Addie’s death demonstrate that Darl and Vardaman, like the rest of their family, are unable to have a healthy emotional response to death.
Evaluation of street art in promoting nationalism in KSA
Evaluation of street art in promoting nationalism in KSA.
This is a senior project which is basically about how the kingdom of Saudi Arabia started using street art as a way of promoting nationalism. In several paragraphs, write about the development of street art in Saudi and how street art evolved in Saudi and why. And then start writing about how many artists in Saudi started using street art as a way of promoting nationalism and cultural perception. So the first part would be the development of street art in Saudi and how street art evolved in Saudi and why and the second part would be about how artists in Saudi started using street art as a way of promoting nationalism
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